The Boardwalk Collection Blog Tour - Bagatelle Cowl

Welcome to Stop 8 on The Boardwalk Collection blog tour! When Kettle Yarn Co. first contacted me about being a part of this endeavour to highlight the new DK version of her extremely popular Islington fingering weight yarn, I was thrilled with the inspiration and design spec - Linda asked for pieces with lots of negative space, highlighted with geometric lace designs. I was hooked!

Bagatelle Cowl in Islington DK in "Peony", image copyright 2015 Juju Vail for Kettle Yarn Co.

Bagatelle Cowl in Islington DK in "Peony", image copyright 2015 Juju Vail for Kettle Yarn Co.

I've always loved the seaside, and spent vast amounts of time growing up on the beaches of New England, particularly Maine. Those rocky, somewhat barren shores have very little resemblance to the more cosmopolitan beaches of places like Brighton and Lyme Regis, but the salty breeze and calls of the seagulls are constant. With the Bagatelle Cowl, I wanted to capture the lines of piers emerging from the water's surface, ebbing and flowing as the tides go in and out.

Bagatelle Cowl in Islington DK in "Peony", image copyright 2015 Juju Vail for Kettle Yarn Co.

Bagatelle Cowl in Islington DK in "Peony", image copyright 2015 Juju Vail for Kettle Yarn Co.

Bagatelle is knit in the round, and the focal point is a strongly vertical lace pattern that biases across the face of the cowl. The edges are finished in simple seed stitch, evoking pebbly beaches. The pattern includes both written and charted instructions, but if you're new to knitting from charts, this pattern would be a good starting point, as the lace stitch itself is very simple. The pattern uses 2 skeins of Islington DK, and is plenty long enough to double up around the neck.

Bagatelle Cowl in Islington DK in "Peony", image copyright 2015 Juju Vail for Kettle Yarn Co.

Bagatelle Cowl in Islington DK in "Peony", image copyright 2015 Juju Vail for Kettle Yarn Co.

The Islington DK base is perfect for this type of accessory - hefty enough to give real warmth to the finished item (perfect for our somewhat inconsistent British summer weather or for the transition into autumn), but with beautiful drape and swing. The combination of 55% Bluefaced Leicester and 45% silk results in a yarn with plenty of elasticity and luxurious shiny softness. And the colours are perfection...

The Boardwalk Collection includes patterns from a phenomenal group of designers: Arcade by Isabell Kraemer, Pavilion by Renée Callahan, Promenade by Maria Magnusson, Seaward by Rachel Coopey and Jetty by Linda Lencovic. You can see all the designs on Issuu or (hopefully) in the preview below.

In the works

I've been thinking about cables lately, despite the fact that it's nearly August. Specifically cozy warm cables worked in luscious yarn that can snuggle up around your neck, or cuddle your ears or warm cold fingers this upcoming winter....in other words, I've got cable patterns on the brain, a box full of yarn support, and I'm venturing boldly into Accessory Collection territory. 

Warning: post conatins photos dangerous to cold sheeping intentions

This collection is happening in collaboration with the wonderful people over at The Fibre Company, purveyors of incredibly special luxury yarns with beautiful palettes of colours. The yarn I'm working with is their chunky weight Tundra, a blend of 60% llama/30% merino/10% silk. 

Prototype #1, in Bearberry

Prototype #1, in Bearberry

To say that this yarn is squooshy is a gross understatement! It is a true pleasure to work with, and being a chunky weight means that the projects are knitting up super-fast. The first prototype is done and blocked, and has me wishing it were just a bit colder so I could wear it constantly.

Prototype #2, in Larch

Prototype #2, in Larch

Prototype #2 is on the needles and well underway - I need to do a bit of figuring on how the crown decreases are going to work, but I'm hoping to have this done by the end of the week before we go on holiday. Sadly, I won't be taking any of this yarn with me on our first summer holiday - backpacking + Italian August + llama are not a good combination in any scenario. But I'll be back to these for the second trip of the summer to the States, when I will be child-free for at least a week, and have lots and lots of time on airplanes...knitting bliss!

Bagatelle Cowl

I'm super excited to show off my latest pattern release, the Bagatelle Cowl, part of the Boardwalk Collection from Kettle Yarn Co., which is launching tomorrow, 13 July.

Photo copyright 2015 Juju Vail for Kettle Yarn Co.

Photo copyright 2015 Juju Vail for Kettle Yarn Co.

I'll have a lot more to say about this pattern on (revised date) 4 August, when I'll talk about the design in detail for the blog tour for the collection, but suffice to say that Linda's new yarn base, Islington DK, was a dream to work with, and I loved every second of working with it. Don't miss the launch of the collection and the blog tour on Linda's blog tomorrow. And you can see all of the patterns in the collection on Ravelry.

The Design Diaries: test knitting

Now that the Boat Race Hat prototypes are finished, and the pattern is written, it's time to move on to the next steps: testing and editing. I suppose you can argue that doing both test knitting AND tech editing is a bit redundant, but I would disagree.

Test knitting is a great way to get feedback on your pattern before it goes live - you'll be able to know if the wording in one section isn't clear, or if you've left out an important line of the instructions. You'll be able to get a good sense of the yardage requirements for each size (as long as your testers are knitting to the correct gauge), and as a bonus, you'll have a number of projects that can be uploaded to Ravelry when the pattern is published, so people will be able to see your design knit up in different colours or yarns right from the beginning.

With that in mind, the next step for the Boat Race Hats is test knitting - I find that test knitters can very often pinpoint a number of errors and inconsistencies that I would otherwise depend on a tech editor to find. And while tech editing is crucial for any knitting pattern, it's also a service that has to be (and should be!) paid for. I don't know about you, but I'd rather have my tech editor spend their time on a pattern that's been tested and had most of the kinks worked out already.

In an ideal world, test knitters would also be paid for their work, but sadly that's not something I'm able to do at this stage, so I have to rely on knitters who enjoy getting a sneak peek at a new pattern, or like helping to work out the kinks. You can pick your yarn, and I'm happy to send you a copy of the pattern when it's finished, as well as your choice of another of my self-published patterns if you'd like one.

Here are the two hats and their specs/requirements. If anyone is interested in test knitting, please give me a shout in the comments or head over to my Ravelry group and post in the Boat Race test knitting thread that's there.

A bit about both hats: both hats are sized in S (M, L) sizes, and both are worked from charts with no written directions.

Oxford

This hat is a slouchy, comfy knit, with two staggered twisted stitch boat motifs worked on a reverse stockinette background. The only complicated bit is the knitter will need to be comfortable shifting the crown decreases to keep the stitch motif intact as much as possible as the crown gets towards the top.

Techniques: twisted stitches and working stitches through the back loop.

Yarn: the large size pictured used less then one skein of baa ram ewe Titus (a fingering weight yarn) held doubled, so under 175 yds/160 m. Appropriate yarns would be sock yarn held double or DK yarn, or any yarn that knits to gauge specified.

Gauge: 23 sts/30 rows over 4 inches/10 cm in reverse stockinette.

Needles: US 4/3.5 mm circulars or dpns, as preferred

Cambridge

This hat is a close-fitting beanie style. Although the stitch pattern is worked all over, the crown decreases are much simpler then in Oxford.

Techniques: twisted stitches and working stitches through the back loop.

Yarn: the large size pictured used less then one skein of baa ram ewe Titus (a fingering weight yarn) held doubled, so under 175 yds/160 m. Appropriate yarns would be sock yarn held double or DK yarn, or any yarn that knits to gauge specified.

Gauge: 23 sts/30 rows over 4 inches/10 cm in reverse stockinette.

Needles: US 4/3.5 mm circulars or dpns, as preferred

 

And views of the tops of the hats:

Although I wanted to get these up and published earlier this year (like in time for The Boat Race. Hahahahahaha!), I'm not in a rush to get them out ASAP, and the deadline for this test is going to be the end of September. If you're interested, leave a comment on this post, or PM me on Ravelry, letting me know the size you'd like to test, and the yarn you'd like to use. If you're on Ravelry, you can also post in the testing thread in my group. Thanks!

GLYC 2015 KAL

In the last podcast, Alli and I talked about the new knitalong we're running for the 2015 edition of the Great London Yarn Crawl. Inspired by the idea of The Rhinebeck Sweater (aka knitting a particular item for a particular event), we've launched the new KAL with the goal of knitting objects to wear to the GLYC in September. It started on Monday, and I managed to finally cast on yesterday.

I'm doing the Byatt Shawl by Karie Westermann (who is absolutely wonderful, and who we interviewed on the podcast a few weeks ago about what's happening in the knitting world these days), in some gorgeous fingering weight yarn from Dirty Water Dyeworks. I'm using Juniper as my main colour, and Topaz as the contrast (both on her Lillian base, which is 100% superwash merino).

The first section of the shawl is all one-colour garter stitch, so I'm cruising along. I'm really enjoying the edge made by the increases along the one side of the shawl - the little loops make almost a picot edge. It's not very obvious, but it's a really nice detail.

I'm also really enjoying the subtle variegation in the yarn as it knits up. In the skein, the yarns looked pretty solidly coloured, but there are slight changes to the colour that make for a super rich fabric, particularly in garter stitch. I can't wait to get to the two-colour section to really see how they play together!

If you'd like to join me in knitting something for the GLYC, please do! We've got a thread on the Yarn in the City Ravelry board, and lots of people have posted about what their projects are going to be - I'm impressed by the number of sweaters that will be in the works! And I'm looking forward to bringing this little beauty to Knit Night tonight - nothing is better for pub knitting then garter stitch.