Unexpected inspiration

Over the last few weeks, spring has really exploded on the scene here in southeast England. As this is our first spring in our new residence, we've been having a fabulous time discovering new flowers in the garden, new trees to pass by, and (most importantly to Boo) a new place to spy wildlife. Our town green has a duck pond, and every morning for the last week we've been stopping on the way to school to gauge the population growth. There are some fancy orange and brown geese with four goslings, an albino Mrs. Mallard with 15 ducklings, numerous Canadian geese incubating progeny, and even a pair of swans on a nest. It's all very exciting.

With the plethora of feathered beasties around, wouldn't you know that my muse would settle on what might be

the oddest of them all

for my latest sweater inspiration. And I've spent the last week and a half scouring the local (and not-so-local) yarn shops for the right color yarn. After many fruitless trips about town, I began searching online, and have discovered a new use for mini-skeins:

Coot swatching

They're just the right size for swatching. These three beauties are from

fivemoons

, whose lovely booth I visited at Wonderwool Wales. I think the Robin's Egg and the Nelly are going to be just perfect for what I have in mind, and the Forgetmenot base is just glorious (50% superwash Falkland merino, 50% silk). And she does DK weight too, which would be my preference, as a fingering weight sweater is too much of a commitment even for me....so now it's on to designing a stitch pattern and some sketching and a load of swatching. Fun, fun, fun!

Overcoming neglect

I am, in the best of times, a more-then-indifferent gardener*. I may start off with good intentions (let's plant some tomato seedlings and maybe some strawberries in containers!), but within a few weeks, my horticultural aspirations get forgotten/ignored/shoved aside in favor of other things. And to be perfectly honest, the same thing happens with my knitting projects more often that I care to admit...

Last week I was seized by some deranged enthusiasm for weeding, and I spent a couple of days yanking out piles and piles of one particular plant that was covering all the beautiful bluebells that have come up in the back garden. As I collapsed on the couch one evening after the girls went to bed, nursing my sore back and blistered palms, I was inspired to dig up another neglected item: my Whisper cardigan, knit in Malabrigo Lace in Paris Night.
Whisper in progress
Whisper in progress (2)
Now, I'm not sure that this colorway has much to do with Paris at nighttime, but it's a lovely navy blue with some subtle variegation. I had stalled out on the body, but my spurt of good intentions meant that I managed to get it to the called-for length before a vicious yarn barf episode resulted in broken laceweight.
Whisper in progress (1)
That made it a good time to start working on the sleeves (you probably don't recall, but I have modified the ever-living Bejeesus out of this pattern). As of today, I'm more then halfway through sleeve 1, and have every intention of finishing sleeve 2 by the end of the week. And if things go according to plan**, I should be able to finish the body in the next week. Which should be perfect timing, as we are heading off to the Norfolk coast for half-term, and we all know that going to the beach for a holiday means I'll need a sweater.

* And in the worst of times, positively Darwinian (i.e. oh, it's supposed to frost tonight? Oh well, we'll see what's still alive come morning...)
** Hahahahahahahahahahahahahah! I'll just sit here and wait for the lightening strike to come.

Fiber Friday: Seasick, three ways

In my excitement to channel Top Chef, I have managed to come up with what my possibly be the most unappealing blog post title ever. I promise it won't be as bad as it sounds, as the Seasick in question is of the fiber variety, not the bodily. Behold:
Seasick
This is Seasick Corriedale, from Hello Yarn, and it was the February 2010 offering. That was back in the days when I was getting a double dose of club fiber, so I had two bags to play with. I spun up the first bag during the Tour de Fleece last year.
Seasick Corriedale (4)
My recent spate of sampling and trying out different ways to spin up colorways for the shop inspired me to split the second bag into two batches. The first half I spun as a standard 2-ply.
Seasick Corriedale (1)
Seasick Corriedale
I like the barberpole, although I'm not sure how it will play out in the knitting (or crocheting). I ended up with approximately 67 yds of floofy aran/bulky weight yarn.

The other half of the bag ran smack into my sudden and burning need to try core spinning. It was not an entirely successful experiment, to say the least!
Seasick Corriedale (3)
I had some mohair core yarn that I got at Ally Pally in 2010 (this experiment has been a long time coming obviously), and I used the miniSpinner to add some extra twist to the core before I started core spinning. I tore the fiber into approximately thumb wide strips and set off.

After a few yards and some fiddling with the miniSpinner, I had two observations: 1) this was going to work better if I predrafted the fiber a bit to really loosen it up, and 2) I would probably do better using the Lendrum, where it was easy to stop and start the wheel, or slow down/speed up without needing my hands. The predrafting part was easy to do, but since I'd started on the miniSpinner, I decided to keep going and use the Lendrum next time.
Seasick Corriedale (2)
You can see that I ended up with a number of spots that are waaaaay over spun - I think using the Lendrum will help with that because I can slow down my treadling when I need to - and the thickness is all over the map. Final yardage: 35 yds of more-or-less bulky, fairly non-elastic yarn.

Here are the three versions of Seasick all together:
Seasick Corriedale (5)
They are all in the heavy aran-bulky weight range, so I guess I could get really creative and use them all together in something...any ideas?

Knitting science

I keep running into knitting scientists these days. There were a couple that I met at Wool House, then an article by Kim Werker in the latest issue of Knitscene. Last week I realized that five of the thirteen students that have posted in the thread for my tech editing class have some kind of science/maths/number-type of background. On the surface, it wasn't intuitively obvious to me why there might be so many science types involved in knitting, so I've been thinking about similarities in the two fields.

One argument is that fiber arts are a great creative outlet for people who spend their working days immersed in the cold hard "search for truth" world of science. But that idea assumes that science isn't creative, which could not be farther from the truth - ask anyone who's every written a grant! In fact, I think I'd argue that science and knitting are more similar then they are different.

For example, when you start a new knitting project you have to make a number of choices before you can even cast on. What exactly are you going to knit? What weight of yarn? What color? Will it be stockinette or textured? Maybe lace? What about colorwork? The creative choices are endless, and can take up more time then the actual knitting if you let them.

The same is true in science, at least in my experience of lab science: a lot of the creativity comes at the beginning of the process. What is the hypothesis? How can you test it? What is the experimental design that will best test that hypothesis and give (ideally) the clearest data? And (at the end of the day) what does that data mean for how things work*?

After that initial step, science and knitting continue to follow a similar path: follow the directions. I hope I'm not bursting anyone's bubble here when I tell you that laboratory research is nowhere near as exciting and cool as it looks on CSI - I (sadly) don't bop around in the lab listening to loud music and wearing cool goth outfits like Abby. In reality, lab science in 99% following a recipe. If you can cook, you can do molecular biology (as long as you don't get fancy and improvise). Same thing in knitting: read the directions (particularly those pesky AT THE SAME TIME bits), and do what they say. And science can be just as much of a slog as miles of endless stockinette or garter stitch - the same thing over and over and over again...drudgery comes in many forms! But at the end of the process, you will have 1) a result from your experiment that either a) answers the question or b) brings up more questions or 2) a finished garment/accessory/item that you can proudly wear and display. Knitting has a much better chance of ending up with a clear result then the experimental side of things, believe me!

Since I've been spending a lot of time recently either writing knitting patterns or thinking about editing knitting patterns, I have noticed that the process is somewhat akin to writing scientific papers. For example, in a scientific paper you need to have several key sections - you need an Abstract, an Introduction, a Results section and some Discussion, and somewhere along the way you'll also want to have a Materials and Methods section. Your abstract should give the key take home message of the paper, along with a bit of context and some description of the techniques used. The other sections are pretty self explanatory.

I've come to the conclusion that a good knitting pattern should have many of the same components:

  1. Introductions: a description of the pattern/item at hand. Maybe it's a funny story about the inspiration, or a blurb about the potential use of the FO. I usually try to include some description about the construction, the types of techniques used, any interesting or novel bits. A more abstract-like version of this might be what I would put in the Notes section on the Ravelry page for the pattern, with a longer Introduction in the actual pattern itself.
  2. Materials: yarn type, yardage needed, special tools or notions, needle size and type. Fairly straightforward.
  3. Methods: In scientific papers, the Methods section is supposed to be detailed enough that someone reading your paper could sit down and duplicate the experiment: in reality it's not quite that simple. For a knitting pattern, this bit is critical, and it takes up the vast majority of the pattern. This is the gauge information, the stitch pattern directions and the actual steps needed to knit the item in question.
  4. Results and Discussion are at the discretion of the knitter. Hopefully they are successful and positive!
Once you've completed all the sections of your manuscript/pattern, it's time to send it off for some of the dreaded peer review. And if your manuscript/pattern is a good fit for the journal in question, you end up published. One of the benefits to getting a pattern accepted is that I haven't yet heard of knitwear designers being hit with page charges!

If you're a science-type of knitter/crocheter/spinner/weaver/fiber fanatic, I'd love to hear your thoughts about what draws you to fiber crafts. Do you see any strong connections between your scientific life and your yarn hobbies? Or is one an escape from the other? I'm interested to hear what you think, so leave a comment and start the conversation.

* Owning my bias as a cell/molecular biologist who spends far too much of her time drawing spaghetti diagrams of signaling pathways and trying to figure out how all the pieces fit together.

Falkland Fiber Friday: BRCA

I was going to blog about some more Hello Yarn Fiber Club that I've spun up, but I'm so in love with this sample of fiber that I listed in the shop today, I had to share it.



















This is my test run for the new BRCA colorway, which is available on BFL and humbug BFL. This little sample was done on the last bit of Falkland I had leftover, and it is super soft and bouncy.

The starting fiber looked a bit like this:
















I spun this fractally: split the entire top into three pieces, then split each third into 3, 4 and 6 strips respectively. Then plied them up, and I'm in love.




















I've got about 50 yds of approximately worsted weight yarn to do something with. What, I have no idea, but something. And even though I'm not really a pink kind of girls, but I love the combinations of dark red, purple, pale pink and bright fuschia in the final yarn. I am really pleased with how the colors blended, and I'm looking forward to seeing what people do with it!